Fiction Contest
Past Winners:
2019,
2018,
2017,
2016,
2015,
2014,
2013,
2012,
2011,
2010,
2009
We are excited to present the
longlist of awardees for the 2020 Leapfrog Fiction Contest
and to announce a collaboration with Can of Worms Press in
London, England. The 2020 winning submission will be published
simultaneously in the US and the UK by Leapfrog Press and Can of
Worms Press respectively in the fall of 2021.
This list has been divided into the categories of honorable mention,
semifinalist, and finalist with links to the biographies and
synopses below. The
first-prize winner will be announced shortly.
The finalist manuscripts will be critiqued by this year’s
finalist judge, Cris Mazza.
Entries to this year’s contest totaled 364 and came from
numerous countries, and included adult and young adult novels,
novellas, and story collections.
We would like to thank
every author who submitted to our 12th annual fiction contest.
As always, it was our privilege and pleasure reading so many
excellent manuscripts.
The 2020 Leapfrog Fiction Contest
Finalists
Winner
Wife with Knife (stories) by Molly
Giles
Finalists
Epoch 2000 (novel) by Ronald Dunham
Frank’s Bloody
Books (novel) by Mack Green
Magnetism (novel) by Gay Walley
Guardians and Saints
(stories) by Diane Josefowicz
Semi
Finalists
Sulo & Ladonna (novel) by Tricia
Dower The Girls of Jerusalem
(stories and novella) by Marsha Lee Berkman
Last of the Icemen (stories) by
M.D. Baumgartner
Honorable Mention
Stuck on Go (novel) by Steve Bunk
The Marbinays Save Central Park
(middle-grade novel) by Lance Contrucci
Far West (stories) by Ron Tanner
Free Ms. Greene (novel) by Jan
Richman Upton Arms (novel) by
Scott Craven Edwin’s Requiem
(novel) by Megan McNamer The
Slinger Electric (novel) by Kevin Ducey
iWater and Other
Convictions (stories and essays) by Robert Kirvel
Soaked (stories) by Toby LeBlanc
A Train Passing Over Water (novel) by
Greta D’Amico Peach Tree Summer
(novel) by John Mort Easy
Journeys to Other Planets (novel) by Diane Josefowicz
Biographies
and Synopses
The Girls of Jerusalem (stories and a novella) by Marsha Lee
Berkman (California)
My recently completed work of
literary fiction, The
Girls of Jerusalem is a collection of fourteen stories and a
novella linked thematically through Jewish history and memory,
spanning the pre-modern period of the Enlightenment to the early
twenty-first century. Within these parameters, the narrative
conveys the Jewish experience and the sweep of historical
forces. Here is the old world and the new: stories about love
and loss, piety and heresy, mysticism and rationality. However,
what is unique about The
Girls of Jerusalem is the way in which it reinterprets
Jewish history and archetypes to reassert the primacy of memory:
the shadowed world of the past as it continues to haunt the
present and shape the future, with characters who are emblematic
of the commonality of the human condition caught in the
crossfires of history, as timeless and relevant as today’s
headlines.
Marsha Lee Berkman has published her
prize-winning fiction in literary magazines and journals,
university presses and anthologies, both nationally and
internationally. Her work has been called “original and
powerful,” and has appeared in
The Schocken Book of
Contemporary Jewish Fiction, Writing Our Way Home, Mothers,
Shaking Eve’s Tree, Feldspar Prize Stories 2, Lilith, The Long
Story, The Jewish Women’s Literary Annual. Chicago Quarterly
Review, Sonora Review, REAL: Regarding Arts & Letters,
Cottonwood, Confluence, Compass Rose, Talking River, RiverSedge,
Western Humanities Review, Other Voices, Sifrut Literary Review,
Mosaic, Westview, Entropy, New Laurel
Review and many other
publications.
She is co-editor of the acclaimed
collection, Here I Am:
Contemporary Jewish
Stories From Around The World, published by the Jewish
Publication Society and awarded the prestigious PEN/Oakland
Josephine Miles Award. The anthology has been praised “as a
superb collection of beautifully written stories by outstanding
editors.”
Wife With Knife (stories) by Molly Giles
(California)
I don’t know why I find it so difficult to
describe my own work, but whenever I am asked what my stories
are about, I draw a blank. I remember my mother looking up from
my first collection with a puzzled expression. “They’re so sad,”
she said. I was surprised. I didn’t think my stories were sad at
all. I thought they were funny. When an early reviewer slapped
the “lives of quiet desperation” label on my second collection,
I disagreed. I thought the lives I wrote about were rich and
rowdy, and not the least bit desperate. It’s true I write mostly
about women, for frankly I have known more women than men, and
it’s probably also true that most of my stories are a
little…dark…but it is the nature of short stories to be a little
dark. I have to admit that I end far too many of my stories with
a character driving off in a car (oh man I wish I hadn’t just
noticed that!) and it’s doubtful that any of my characters drive
very well or will go very far. Over half the pieces in Wife
With Knife are short, some no longer than a page or two, as
flash is a form that appeals to me, that quick in and out, but I
have loved lingering in the longer stories as well. I guess the
only way to describe what my stories are about is simply to say
they are about the human quirky things that I love, that give me
joy or cause me pain, that interest me and that I hope will
interest others.
I always wanted to write but as a single
mother supporting three girls I found it difficult to find the
time. I took a correspondence course in short story writing from
UC Berkeley, which led to a summer scholarship at the Squaw
Valley Community of Writers. When
a friend lent me the $75 needed for tuition, I enrolled in
writing classes at San Francisco State University. I finished my
undergraduate courses at night and began an MA in Creative
Writing. Asked to step in for a professor who had fallen ill, I
spent the next 35 years teaching fiction workshops, first in San
Francisco and later at the University of Arkansas in
Fayetteville. During this time, I published three collections of
short stories, a novel, a chapbook of flash fictions, an e-book,
and countless book reviews. I also mentored and edited the
novels of Amy Tan. My first collection, Rough Translations
(U. of Georgia Press) won the Flannery O’Connor Award for Short
Fiction, the Boston Globe Award, and the Bay Area Book Award. My
second collection, Creek Walk and Other Stories (Papier
Mache Press) won the Small Press Award for Fiction and the San
Francisco Commonwealth Club’s Silver Medal for Fiction. My
chapbook, Bothered,
won The Split Oak Award. My third collection, All the Wrong
Places, won the Spokane Prize for Short Fiction. My novel,
Iron Shoes (Simon and Schuster) didn’t win anything. I’ve
been the lucky recipient of an NEA, the National Circle of Book
Critics Award for Book Reviewing, and several fellowships at
MacDowell and Yadoo. My stories have been published in the
Pushcart Prize collections (twice) and in the O.Henry (once) and
in many anthologies and textbooks. I am presently retired from
teaching and live in Northern California. I have just finished a
memoir of flash fictions based on my life spent crossing and
re-crossing the Golden Gate Bridge and I am working on a
historical novel set in Hawaii.
Stuck on Go (novel) by Steve Bunk
(Idaho)
Perry Clarkson has an age-old problem: before he was born, his
father abandoned his mother. But his father is not the typical
deadbeat dad. For decades, he has changed identities and
locations frequently, as the founder of a movement he described
in a popular book that sparked a dangerous fascination with
escape. Perry’s father, who calls himself Aka, encourages young,
unmarried people to temporarily leave home without notice. He
believes this will help them gain self-direction by freeing them
from the expectations of friends and family. The movement
develops a strong following but it also creates social chaos. It
is labeled a cult and its adherents are thought to suffer from a
psychological disorder. After Perry grows up, marries, and has a
small child, his wife encourages him to track his father down.
On the road, he collects stories from people who met Aka, which
leads to an eerie encounter with a man who might or might not be
his father. STUCK ON GO is a literary novel draped in the
trappings of a mystery. It explores concepts central to
self-fulfillment, including the damage that can be done by
zealous commitment to ideology.
For years, Steve Bunk kicked around the world as a freelance
magazine writer. He reported from Europe, Australia, and
throughout Southeast Asia, albeit without changing his name. He
coauthored a nonfiction best-seller Down Under
(The Stump-Jumpers)
and then, back in the U.S., wrote a YA novella on commission
(The Uprising), and
authored a nonfiction book on a Northwest environmental movement
(Goliath Staggered).
He’s now a magazine editor in Boise and a guy who appreciates
what being a dad has done for him.
Magnetism (novel) by Gay Walley (New
York)
MAGNETISM is a about a woman who still
wants to have passion for and eros in her life, even though she
is no longer young. She goes about finding it, through music, in
relationships with men, a friendship with a Holocaust survivor
upstairs who does have it, and through adventure and sorting
through what makes a life passionate. The main character, Mira,
will not settle to go gently into that good night. She wants to
be as, the woman upstairs jokingly calls it, “Venus as she
ages.”
Gay Walley has published 4 novels, Strings Attached
(finalist for 3 awards), The Erotic Fire of the Unattainable
(finalist for one award), and Lost In Montreal and
Duet. She is also screenwriter for The Unattainable
Story, starring Harry Hamlin. In addition, she has a film
she wrote and acted in currently in 5 (virtual) film festivals,
The Erotic Fire of the Unattainable. Love Genius And
A Walk, a play, is scheduled to open in London in May 2021.
She teaches writing in NYC, and edits.
EPOCH 2000 (novel) by Ronald Dunham (Pennsylvania)
Ronald was an identical twin, delivered ten minutes after his
brother in December of 1950. Introspective and cerebral, he
lived his entire life genially and with quiet philanthropy. A
skilled carpenter by trade, a gardener and writer by
inclination, nothing gave him greater pleasure than beholding
the results of his labors, whether a perfectly turned chair leg,
a new rose, or a novel. His published works include
Allegheny and Skyline, set in his hometown, and Last
Word Tales set in the Great Unknown's clearinghouse. Ronald
passed away before the results of this contest were announced.
Sulo & Ladonna (novel) by Tricia Dower (British Columbia,
Canada)
In her latest
novel, the three-part Sulo and Ladonna, Dower explores
issues of guilt and grief through the lens of a boy, a girl, and
the adults they become, evoking time and place as the story
moves through decades and eras. Seventeen-year-old Richie Sulo
accidentally kills a New Jersey police officer while breaking
into a drug store with his cousin and idol, Buddy. When Buddy
takes his own life, his eighteen-year-old wife Tereza must carry
on for the sake of their baby daughter. Nineteen years later,
Richie, now Sulo, the creator of a dystopian comic book series
called Marvalous and Sarge, and Tereza, now Ladonna, a
voice artist, meet up again, Buddy’s ghost looming over them.
Will they unmask the past each has carefully hidden from others,
awaken the sadness and trauma each has tried to repress? Can one
truly get away with murder? Sulo & Ladonna addresses the
painful reconciliation of action and consequence.
A dual citizen of Canada and the United States, Tricia Dower
lives in Sidney, BC. Her Shakespeare-inspired story collection,
Silent Girl (Inanna 2008) was nominated for the Frank
O'Connor International Short Story Award and the George Ryga
Award for Social Awareness in Literature. Herizons magazine
called it "ambitious and powerful." Her first novel, Stony
River (Penguin Canada 2012 and Leapfrog Press 2016) was
shortlisted for the Canadian Authors Association Award for
Fiction. The Globe and Mail wrote, “...Dower is a masterful
storyteller." With the publication of her second novel,
Becoming Lin (Caitlin Press 2016), the Vancouver Sun wrote,
“Some of the most powerful and eloquent Canadian novelists of
the 20th and 21st centuries...including Margaret Atwood,
Margaret Laurence and Ethel Wilson...open up what had been
cloaked in silence, the oppression of women and their
self-discoveries in resistance. We can now add to this important
liberation canon the name of Tricia Dower.” She won first prize
for fiction in The Malahat Review’s 2010 Open Season Awards and
first prize for creative nonfiction in subTerranean Magazine's
2015 literary awards. Her short fiction also has appeared in The
New Quarterly, Room of One’s Own, Hemispheres, Cicada, NEO and
Big Muddy.
The Slinger Electric (novel) by Kevin Ducey (Wisconsin)
Set in Montana in the early 1900s, during the Custer County
Electricity Wars, this is the story of the people caught up in
the battles between Westinghouse and Edison – a.c. and d.c. – on
the frontier of the modern era. The people of Electric, Montana
are partisans of direct current under pressure from the a.c.
syndicate to get on the grid. Carl, the d.c. headman, believes
his battles are over when his old pal Calamity Jane arrives for
a visit. Jane has her own designs upon the town, however, she’s
looking for a child to join her on the carny circuit as her
daughter, or son. Over the course of her career, Jane has
discovered that playing Jane, professionally, is more lucrative
than being Jane. She believes she’s found her latest protégé,
her latest Jane Jr., in Carl’s daughter, Andrea. Andrea learns
the dangerous lessons of frontier Shakespeare and Edison’s
belief in the transmigration of souls.
Kevin Ducey is the author of the poetry collection Rhinoceros
(Copper Canyon), awarded the American Poetry Review’s
Honickman Prize. His poetry, short fiction, and nonfiction
appear regularly in journals and anthologies. He’s the
recipient of awards from the Higgins Labor Foundation, AWP, and
the Wisconsin Arts Board, and various journals. He’s taught
writing and graphic arts and ESL in the United States and
abroad. Currently, Ducey lives on the west coast of Wisconsin,
in La Crosse.
Last of the
Icemen (stories) by M.D. Baumgartner (Tennessee)
The eleven stories collected in Last of
the Icemen deal with the ends of things. Relationships,
childhood, a last day at a summer job, a failed jazz combo. They
were each conceived as somehow pre-apocalyptic: which is to say
concerned with the choices we make at the edge of who we are and
what we might still become. In “Landing on Water,” a woman
daydreams about plane wrecks during an unexpected visit from her
ex. In “Diamonds and Rust” a marriage proposal goes horribly
wrong and takes a turn for the surreal. “The Great Siwash Shoe
War” tracks a group of kids through a summer of layoffs; when
the neighborhood’s shoes turn up missing one morning, chaos
quickly follows. There are some dark stories here, reflective of
the troubled times we live in. To me however many of these
stories are also strangely joyous, a celebration of weird old
America at the edge of whatever is next.
M.D. Baumgartner lives in Johnson City, TN,
with his wife and children. In 2010 he earned a PhD from the
University of Nevada-Las Vegas, where he was a Schaeffer/Black
Mountain fellow in creative writing, and in 2005 he earned an
MFA degree from Bowling Green State University. His work has
been published in several literary journals, including The
Southern Review, Confrontation, Fugue, Best
of Ohio Anthology, Bellingham Review, Phoebe,
and Wisconsin Review, among others. He has worked as a
fiction/prose editor at Witness, Mid-American Review,
and River Styx, and is currently Editor of Aethlon:
The Journal of Sport Literature. Notes on stories in Last
of the Icemen: “The Great Siwash Shoe War” won the 2014
Fugue prize in short fiction, judged by novelist Kevin
Canty. “Diamonds and Rust” was a finalist for Bellingham
Review’s Tobias Wolff Prize in fiction (2014). “Siwash” and
“Like Gods of the Sun” were both nominated by their respective
journals for inclusion in the Pushcart Prize anthology.
Frank’s Bloody Books (novel) by
Mack Green (Colorado)
Frank’s Bloody Books traces one man’s journey to redemption,
slow and hard-won, thanks to the unlikeliest of companions. Jack
Half-Pint Crowe returns from the Vietnam War to the sweltering
South. Traumatized in combat, Jack has also been exposed to
greater truths by Frank, a saintly corpsman. Jack’s new vow of
non-violence cannot withstand fanatical forces back home that
draw him toward murder. Jack makes the life-altering choice to
kill the abusive husband of a fragile woman and her child,
crushing his own path to transcendence. But the unseen hands of
friends both dead and alive deliver Jack from evil into a new
life. It is the blood-stained, shrapnel-torn books of his “holy”
friend Frank and a phone call from Louisiana, fifty years later,
that bring Jack to the brink of simple wholeness.
Mack Green is a retired neuropsychologist and current
activist for progressive causes. He is a supporting member of
Lighthouse Writers in Denver, Colorado. As a young man he served
two tours of duty in Vietnam with the U.S. Marines and received
two purple hearts. He is a member of Veterans for Peace and
lives in Colorado.
The Marbinays Save Central Park (novel) by Lance Contrucci (New
York)
Peach Tree
Summer (novel) by John Mort (Missouri)
Cortney (“Cort”) Miller, a high school
senior from Mission Viejo, in Orange County, California,
accompanies his father to Peach Tree, Arkansas, where his father
has been directed to take over a small furniture factory. There
is labor trouble at the factory, and Cort’s father may or may
not close the factory down. The year is 1985. Because the father
and Cort’s mother are on the brink of divorce, and because Cort
knows his future lies in California (as a very talented tennis
player), Cort feels it’s his last chance to bond with his
often-absent, rather morose father, so he accompanies him
despite his mother’s strong objections. The story builds to a
not-quite-violent finish in which Cort saves his dad’s life, and
maybe his own. It’s classic coming-of-age with a setting in a
dying, small, Southern town.
John Mort’s first novel, Soldier in
Paradise (1999), was widely reviewed and won the W. Y. Boyd
Award for best military fiction. He has published seven other
books, including two readers advisory works, two novels, and
four collections of stories. His short stories have appeared in
a wide variety of magazines, including The New
Yorker, Missouri Review, the Chicago Tribune, the Arkansas
Review, and in Sixfold. He is the winner of a
National Endowment for the Arts literary grant, the Hackney
Award, and a Western Writers of America Spur for the short
story, “The Hog Whisperer.” In 2017 he was awarded the Sullivan
Prize for his short story collection, Down Along the Piney,
which was published in 2018 by the University of Notre Dame
Press. Mort served with the First Cavalry from 1968 through 1970
as a rifleman and RTO. He attended the University of Iowa, from
which he earned a BA in English (1972), an MFA in writing
(1974), and an MLS (1976). He worked as a librarian, editor, and
teacher. He lives in Coweta, Oklahoma.
Soaked (story collection) by Toby LeBlanc (Texas)
There is only one word to describe Louisiana fifty years from
now after climate change has taken hold: Soaked. Each
story of this collection explores the culture from a different
angle: language, music, food, weather, wildlife, faith,
government, and even farming. Themes such as repetition of
history, innovation versus helplessness, and love amidst
destruction are explored within the nine stories. The
advancements of medical nanotechnology, self-driving cars, and
meatless gumbo do little to enhance, or deter, people already
born with resilience-laced DNA. Laughing
in the face of oblivion, lending a hand to the hopeless,
enduring when everything else is gone, is what the people of
Louisiana, and the characters in Soaked, do best.
Raised on his family’s multi-generational land in Scott,
Louisiana (the Boudin Capital of the World) by an extended
network of grandparents, great aunts, and cousins, Toby grew in
a world split between American modernization and Cajun/Creole
wherewithal. Dinner tables could have hot dogs or étouffée.
Conversations varied between medieval French and American slang,
often within the same sentence. While he and his family now
sleep under the Texas Stars, he's only able to call the prairies
and bayous of Louisiana his home.
Edwin’s Requiem (novel) by Megan McNamer (Montana)
Edwin’s Requiem
follows the daily patterns of a late middle-aged man at odds
with the 21st century world. The contexts for his
life thus far have been limited to office work, his childhood
home, and weekly rehearsals with a community chorus.
Set loose from all three, he flails through his days,
steadying himself with cryptic comments jotted down in a small
notebook with a cast-off silver pen. He imagines second halves
to his half-lived life, mixes memories with dreams, and
ruminates on lost possibilities for his story. Meanwhile, the
steps he takes into the actual world become shaky, even
dangerous, though wholly necessary. This is a novel about the
human need for tangible connection with other humans, no matter
how awkward or defeating, the search for a sensate part of
existence that might become a faint mist of real beauty, wafting
across space and through time.
Megan McNamer’s first novel, Children and Lunatics (Black
Lawrence Press, 2016) won the Big Moose Prize, and her second
novel, Home Everywhere, was published by Black Lawrence
Press in 2018. Her essays have appeared in Salon, Sports
Illustrated, The Sun, Tropic Magazine (of The
Miami Herald) and Islands Magazine, and she has won
finalist, semi-finalist, and honorable mention awards from New
Millennium, Glimmer Train, Writers@Work, the
University of New Orleans Writing Contest for Study
Abroad, the Travelers' Tales Best Travel Writing Solas Awards
for 2016, Carve Magazine's Raymond Carver Short
Story Contest for 2016, and Cutthroat Magazine. Her work
also appears in the anthologies Whatever it Takes: Women on
Women's Sport; The Adventure of Food: True Stories of
Eating Everything; Headwaters; The Quill Reader; Truth
to Power: Writers Respond to the Rhetoric of Hate and Fear; and Bright
Bones: An Anthology of Contemporary Montana Writing.
Megan grew up in northern Montana, studied music at the
University of Montana, and earned an MA in Ethnomusicology from
the University of Washington. Her home is in Missoula, Montana,
where she frequently performs Balinese gamelan music with Manik
Harum, a Missoula community gamelan.
Upton Arms: An Active Lifestyle Home for the Paranormal (novel)
by Scott Craven (Arizona)
Scott Craven's "Upton Arms: An Active Lifestyle Home for the
Paranormal" was inspired by the many hours he spent (wasted)
inches from a 14-inch color TV watching classic horror films
from the 1950s, 60s and 70s. After more than three decades as a
journalist and features reporter, he tackled the type of writing
that would have gotten him fired from The Arizona Republic:
fiction. Touching on his reporter's instincts, he asked himself
a question perhaps very few had bothered to ask: What would
happen if supernatural creatures could die, only it took a
really long time and their powers gradually faded? The answer:
They'd wind up in a retirement home just trying to get along
with others with paranormal abilities. And it probably would get
ugly when they bicker over who deserved the remote control for
the community-room TV.
Craven most recently worked for The Arizona Republic and The USA
Today Network, specializing in the tales of unique people and
places. In his 40-year career, he covered everything from sports
to crime, eventually settling in and spending the majority of
his time as a features writer. Recently retired, Craven now
spends (wastes) many more hours watching horror films, only now
it's on a 65-inch 4K TV. Such are the pleasures of getting old.
Easy Journeys to Other Planets (novel) by Diane Josefowicz
(Rhode Island)
Easy Journeys to Other Planets interrogates our national
anti-dialogue on social class and politics, interrupting this
furious noise at a historical point of maximal conflict: the
meaning of the Sixties to the vast majority who would have
preferred to sit out the decade and called themselves decent for
doing so, and whose opinions continue to shape our discourse.
During 1967's Summer of Love, Tino Battuta returns home from
medical school in disgrace, and without his draft deferment,
only to learn that his girlfriend Primrose Tirocchi is pregnant
with his baby and in love with another man, a budding astronomer
whose dissertation advisor has gotten caught up in a popular
movement to link political liberation to a wave of UFO
sightings. Coping with these crises, Primrose and Tino discover
the limits of their possibilities as well as their resilience.
As they work through their outsized feelings of grievance and
betrayal, of having an unfairly small slice of the American
dream, they ultimately find some meaning in service to each
other, their family and friends.
Guardians & Saints (stories) by Diane
Josefowicz (Rhode Island)
We're born unfinished, in need of everything—love, food,
attention, care. Idealizations of family conceal the truth that
incompetent parents all too often render childhood a state of
singular emergency. Guardians & Saints, a collection of
loosely linked stories, explores the ways in which modern
orphans fail to thrive. A young man accidentally discovers
fatherhood by way of finger puppets and Kierkegaard. A group of
friends spins helplessly around the death of a beloved teacher
when his selfless pedagogy is called into question. A girl loses
her mother only to re-find her, in altered form, in a grim
institutional afterlife. Faced with the incapacity of those they
depend on, the characters in these stories appeal, with varying
success, to stand-ins: teachers, mentors, therapists, guardians,
and occasionally saints.
Diane Josefowicz's fiction,
essays, and reviews have appeared in Conjunctions, Fence, Dame,
The Saint Ann's Review, Poets & Writers, Singapore Unbound,
Necessary Fiction, and several anthologies. She is also the
author, with Jed Z. Buchwald, of The Riddle of the Rosetta,
a new history of the decipherment of Egyptian hieroglyphs,
published in September 2020 by Princeton University Press. She
lives in Providence, RI, with her family.
A Train Passing Over Water (historical novel) by Greta D’Amico
(North Carolina)
A native of San Francisco, Greta has lived in Europe, the
Pacific Northwest, and western North Carolina. A Train
Passing Over Water emerged from the author’s years as an
artist-scholar in rural Italy and from the indelible imprint of
a steely female forebear. The story, set in southern Italy
during the Great War,
explores
diasporic themes, the legacy of loss, and the alternately dim
and lucid perspectives of minor players at the interstices of
culture and the historical moment.
Greta D’Amico’s translations of poetry and critical theory have
appeared in Columbia University’s Italian Poetry Review,
in Ezra: an Online Journal of Translation, and in
French Thinking about Animals (Michigan State University
Press, 2015). She completed her MFA in Creative Writing at the
University of New Orleans and a PhD in Comparative Literature at
the University of Washington, where she taught Italian and
French language as well as literature and writing, in English,
for many years. Her novel was a finalist in historical fiction
in the 2016 Pacific Northwest Writers Association Literary
Contest. Her awards include a ten-month literary fellowship in
Geneva, Switzerland, and fine arts residential fellowships at
the Vermont Studio Center, the Santa Fe Art Institute, and the
Anderson Ranch Arts Center.
Free Ms. Greene (novel) by Jan Richman (California)
Velma Greene
teaches creative writing at an arts high school in Manhattan.
One of her students hands in a story that horrifies her with its
gruesome details of sexual torture, but before Velma can plan a
lesson on gratuitous violence, she finds that the NYPD has been
called in; the student is expelled; and she is jammed into a
crowded reassignment center—a Dickensian teachers’ jail—to await
a hearing on charges of professional incompetence. When The
New York Times runs a front-page story on the debacle, a
handful of famous authors step up to protest, and Velma becomes
an accidental poster child for the First Amendment. Everyone,
including her family, seems to have an opinion on how Velma
should handle her dubious renown, but she must navigate this
absurd array of parochial politics, collective fear, moral
spasms, celebrity culture, and video-game sadism in her own
sometimes bumbling, but always acutely humane way.
Jan Richman's collection of poems, Because the Brain Can Be
Talked into Anything, won the Walt Whitman Award from the
Academy of American Poets (judged by Robert Pinsky) and was
published by Louisiana State University Press in 1995. Her
novel Thrill-Bent was published by Tupelo Press in 2012.
She has received an NEA Grant in Literature and her writing has
been published in many periodicals, including the Kenyon
Review, The Nation, and Ploughshares. She
lives in San Francisco.
Far West (novel) by Ron Tanner (Maryland)
“Far West” takes its inspiration from a real-life news
item, which appears as the story’s epigraph. I wondered what
situation might create that kind of stunning brief. I lived in
the far west for many years and especially spent a lot of time
in Nevada. The story’s about being down and out but not quite
out for good. A jab at the American dream.
Ron Tanner’s
awards for writing include a Faulkner Society gold medal, a
Pushcart Prize, a New Letters Award, a Best of the Web Award, a
James Michener/Copernicus Society Fellowship, and many others.
He is the author of four books, most recently Missile
Paradise, named a “notable novel” of 2017 by the American
Library Association.
iWater and
Other Convictions (stories and essays) by Robert D. Kirvel
(California)
iWater and Other Convictions
is a collection of timely essays and sui generis prose.
This hybrid compilation is focused on exploring the numerous
ways—subtle to blatant—subjective and personal opinions (human
convictions) are shaped by highly charged political, social, and
philosophical concepts and the words people use that tend to
co-mingle fact and illusion or confound the distinction between
the two. In contrast to scholarly treatises, the objective of
the book is to entertain, move, amuse, and sometimes provoke
readers who would like to make more objective sense of shifting
social–psychological expressions of opinion. A central theme is
the idea of personal, psychological authenticity versus its
absence.
Robert D.
Kirvel, a Ph.D. in neuropsychology, has works appearing in more
than 40 literary journals or anthologies and is co-author of
numerous articles in refereed science and technology journals.
Awards include the Chautauqua Editor’s Prize for nonfiction,
Fulton Prize for the Short Story, ArtPrize for creative
nonfiction, and two Pushcart Prize nominations. His writing and
technical contributions have been recognized by the National
Science and Technology Council, Executive Office of the
President (Obama) of the United States. The author has published
in the U.S, Canada, U.K, Ireland, New Zealand, and Germany. Most
of his literary fiction and creative nonfiction articles are
linked at @Rkirvel.
His novel, Shooting the Wire, was published in late 2019
by Eyewear Publishing, Ltd, London.
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